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From the wildly mercurial Carl Stone, some of the most mercurial Stone!
Here he continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone “plays” his source material the way Terry Riley’s In C “plays” an ensemble: a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything.
Stone’s technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants.
Unseen Worlds asks: Is this techno, avant-garde, sound art?
Nah, just Carl Stone. Wat! Dong!! Moon!!! Let!!!!
From the wildly mercurial Carl Stone, some of the most mercurial Stone!
Here he continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone “plays” his source material the way Terry Riley’s In C “plays” an ensemble: a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything.
Stone’s technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants.
Unseen Worlds asks: Is this techno, avant-garde, sound art?
Nah, just Carl Stone. Wat! Dong!! Moon!!! Let!!!!