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Shop Ellen Fullman: Music for the Man Who Grew Common in Wisdom (besom presse)
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Ellen Fullman: Music for the Man Who Grew Common in Wisdom (besom presse)

$21.00

From the one-sheet:

Known prominently for her sculptural long string instrument (lsi), these musique concrete pieces showcase an underrecognized side of fullman’s sound investigations. in two expansive works, fullman voyages through the comic, the menacing and the blissful all while evoking the unique kinetic and timbral aesthetic for which she is widely praised. composed between 1987-1989, while living in austin, texas, the music originally served as accompaniment to choreographer deborah hay's dance piece of the same name.

* On these recordings Fullman uses the Prophet Sampler, which the cover notes describes creates "an audio mosaic out of discarded things."

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From the one-sheet:

Known prominently for her sculptural long string instrument (lsi), these musique concrete pieces showcase an underrecognized side of fullman’s sound investigations. in two expansive works, fullman voyages through the comic, the menacing and the blissful all while evoking the unique kinetic and timbral aesthetic for which she is widely praised. composed between 1987-1989, while living in austin, texas, the music originally served as accompaniment to choreographer deborah hay's dance piece of the same name.

* On these recordings Fullman uses the Prophet Sampler, which the cover notes describes creates "an audio mosaic out of discarded things."

From the one-sheet:

Known prominently for her sculptural long string instrument (lsi), these musique concrete pieces showcase an underrecognized side of fullman’s sound investigations. in two expansive works, fullman voyages through the comic, the menacing and the blissful all while evoking the unique kinetic and timbral aesthetic for which she is widely praised. composed between 1987-1989, while living in austin, texas, the music originally served as accompaniment to choreographer deborah hay's dance piece of the same name.

* On these recordings Fullman uses the Prophet Sampler, which the cover notes describes creates "an audio mosaic out of discarded things."

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