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Late getting this, but happy to stock SPECTRES V: Diffusion, via Shelter Press.
V explores how “[f]rom the very beginning, fixed media electroacoustic music in its various guises faced a significant challenge: that of how it could be shared with the public.
Even before it was distributed in the form of records, musique concrète, having first been transmitted on radio, soon turned to the concert stage. From the time of its birth, a twofold question was posed: What strategy of diffusion could be used for this music which involves no live performers? But also, how could it make use of existing systems of sound amplification without losing its singular nature, making sure to preserve its own particularities?”
Late getting this, but happy to stock SPECTRES V: Diffusion, via Shelter Press.
V explores how “[f]rom the very beginning, fixed media electroacoustic music in its various guises faced a significant challenge: that of how it could be shared with the public.
Even before it was distributed in the form of records, musique concrète, having first been transmitted on radio, soon turned to the concert stage. From the time of its birth, a twofold question was posed: What strategy of diffusion could be used for this music which involves no live performers? But also, how could it make use of existing systems of sound amplification without losing its singular nature, making sure to preserve its own particularities?”