Tim Barnes: All Acoustics CD (Quakebasket, 2002)
We acquired these direct from Tim, his family and Bundy Brown!! Want to make sure we keep these titles in circulation, as we remain big fans of both Tim Barnes and his Quakebasket label.
All Acoustics was originally released in 2002 and documents Tim Barnes at the top of his NYC improvisatory game.
“All acoustics, but no guitars - no strings of any kind, no keys, and no horns or winds either; just drums, performed in two improvisations recorded in a pleasingly natural stereo spectrum, with no overdubs.
Tim creates variety in his music with a shifting sense of rhythm and tonal color, flowing steadily through carefully curated realms of percussive inspiration with a clear conception of space and technique. Nearly an hour of free improvisation that expresses what's made him such an exceptional rhythmic player - regardless of genre - throughout his career.”
We acquired these direct from Tim, his family and Bundy Brown!! Want to make sure we keep these titles in circulation, as we remain big fans of both Tim Barnes and his Quakebasket label.
All Acoustics was originally released in 2002 and documents Tim Barnes at the top of his NYC improvisatory game.
“All acoustics, but no guitars - no strings of any kind, no keys, and no horns or winds either; just drums, performed in two improvisations recorded in a pleasingly natural stereo spectrum, with no overdubs.
Tim creates variety in his music with a shifting sense of rhythm and tonal color, flowing steadily through carefully curated realms of percussive inspiration with a clear conception of space and technique. Nearly an hour of free improvisation that expresses what's made him such an exceptional rhythmic player - regardless of genre - throughout his career.”
We acquired these direct from Tim, his family and Bundy Brown!! Want to make sure we keep these titles in circulation, as we remain big fans of both Tim Barnes and his Quakebasket label.
All Acoustics was originally released in 2002 and documents Tim Barnes at the top of his NYC improvisatory game.
“All acoustics, but no guitars - no strings of any kind, no keys, and no horns or winds either; just drums, performed in two improvisations recorded in a pleasingly natural stereo spectrum, with no overdubs.
Tim creates variety in his music with a shifting sense of rhythm and tonal color, flowing steadily through carefully curated realms of percussive inspiration with a clear conception of space and technique. Nearly an hour of free improvisation that expresses what's made him such an exceptional rhythmic player - regardless of genre - throughout his career.”